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Thoughts on lettering

Eric Gill and Pilgrim typeface

Among the stack of books I bought from the secondhand bookstore that’s closing was a 1953 Penrose album. Penrose are fabulous volumes published yearly as a guide to that year’s graphic arts. They went from the early part of the 20th century through to the 1980s (I think).typeface

They are sumptuously illustrated and have articles by some of the most eminent typographers of the time. In this volume (which I did not have) is an article about Gill’s Pilgrim typeface by Robert Harling. This face was produced, the article says, 12 years after Gill’s death.

Manufactured by Liontype (the rivals to Monotype) it is a traditional roman.

Harling writes: “Here in Pilgrim we have all the recognisable and admirable Gill qualities. His touch is in very curve and line. Here is yet another of his felicitous essays in the unending quest for the perfect alphabet. The ceaseless and never monotonous preoccupation with the curve of the tail to the upper-case R, the distribution of solid and void in the lower case a and g and so on.”

The face was first named Bunyan, and used exclusively by Gill. After his death the design was bought from his widow, Mary, and the punches, patterns and matrices from his son-in-law Rene Hague. Linotype then adapted the face for machine setting, and also added an italic, sketches for which Gill had not completed.

Harling notes that the face was to be used in a limited edition run of Evelyn Waugh’s book, The Holy Places, published by the Queen Anne Press in the winter of 1953.

 

Categories
Thoughts on lettering

Typeface recognition needed – and answered Albertus!

Today I visited a second-hand bookshop near to where I live. Unfortunately it is closing soon so they are having a fire sale. All stock is 75 per cent off.

I stumbled across some beauties. That’s the wonderful thing about actually visiting a bookstore rather than virtual browsing on ABE – you never know what you might.

And among the pile of books I bought was one by a mid 20th century British poet, Louis MacNeice, who I collect off and on. He was a mate of Auden’s (him with the grizzled face) and wrote some great stuff, particularly in the build up to the second world war. He was trained in the classics and spent a lot of his working life at the BBC. As now poets have to earn a living somehow.

faber and faber published his work (along with many of the leading poets of the time – TS Eliot was a director, so understandably had a preference for poetry).

The books are always presented in a distinctive typographic manner Рthe covers especially  Рand this one is no exception. Take a look.

What I would like to know is does anyone know the typeface. The name is on the tip of my tongue but I can’t quite get it out…

I particularly like the use of the lower case n.

I knew it Рcame to me today Рthe typeface is Albertus, designed by Berthold Wolpe.

Here it is in all its beauty