eric gill

Eric Gill picture taken 1933

This comes from my copy of The Monotype Recorder, a magazine published by the Monotype Corporation, of Winter 1933. It is sub-titled ‘Modern Typography Number’

It shows Gill standing in front of the Flying Scotsman steam train. Enjoy.

(I would love to know whatever happened to Mr C.G.G. Dandridge, the advertising manager, seen right, who ‘initiated the reform’ [of the typefaces] – how did he know Gill? Was he a visionary in his own right?)

Eric Gill and Flying Scotsman
History of Lettering

Spectrum typeface by Jan van Krimpen

I have been going through some of those Penrose volumes on my bookshelves. Came across these images in the 1954 volume.

Spectrum typeface

These are reproductions of the original drawings for the Spectrum typeface designed by Jan van Krimpen, a distinguished typographer based in the Netherlands. It was designed for use in a Bible, being named after the company that commissioned the face – the Spectrum Publishing Company of Utrecht and Brussels.

According to the author of the accompanying article, John Dreyfus, at the time assistant University printer at Cambridge (and later succeeding Stanley Morison as advisor to Monotype – another story, another blog), Spectrum – which was van Krimpen’s last design – has a generous x-height, with narrow capitals and a ‘remarkable compression of the italic’.

What do I think some 50 years on? The upper case C is odd , as is the G naturally, both ungainly, I hate the Z and the Q, and particularly the ‘crossed swords’ of the W. All in all not a hit with me. (Did I mention the Q? Ugh!)


Spectrum typeface



Elements of Lettering

Elements of Lettering – 1

Here are some thoughts on how to approach hand lettering, taken from a guide I produced  for my students. This is the first page in a series, which will demonstrate basic techniques. Please subscribe to the feed to be alerted to updates on the site.


Contemporary stone lettering is generally based on, and adapted from, a script used by the Romans and known as Trajan.

It is believed this letterform was first painted on to the surface of the stone with a brush. Image taken from The ORigin of the Serif by Edward CatichThe same craftsman, or another, would then have carved the painted inscription with a mallet and chisel.

Today, letter carvers first draw the inscription on paper and only after having resolved problems with letter shape and spacing will then transfer the design to stone.

It is important to be able to draw a letter with pencil on paper at full size to understand the dynamics and proportions of each letter.

Note – the line illustration is taken from The Origin of the Serif, by Edward Catich, 2nd edition, 1991. This is the primary source for those wanting to know more about the traditional Roman letter form.

The other illustration is my own.

eric gill

Further pictures from visit to Pigotts

These are some additional photographs I took, using a Pentax ME Super with, I think, an Ilford HP5 black and white film. The first picture shows the house itself, an imposing property with plenty of outbuildings where Gill and his assistants worked. The next is a snap of an old plaque fixed to brickwork. I have no idea who carved it or what it says. Finally, a photo taken at the end of my visit that day to the churchyard at Speen nearby, showing Gill’s grave, with a footstone marking that of his wife, Mary.