Categories
lettering Thoughts on lettering Typographic ephemera

Never too late on the street

Piece of street typography taken from a train parked at Ashfield, Sydney, Australia. I present it as a record only since in a few years, who knows, this building may have been demolished or new ownership may have erased the lettering.

never-too-late
Never too late: street lettering from Australia
Categories
lettering

Christmas Quiz 2015

In reviving a ‘tradition’ that was first launched in 2012 (see here), may I first of all wish those loyal, and new, readers a safe, relaxing, enjoyable and stress-free (is that possible?) holiday season wherever you may be. Take time out and take time to reflect.

Okay – here is the photo: can you name what this is and what machine it belongs to? There is no prize – just the quiet adulation that comes from being one of the few able to recall pre-digital technology (now, that was a clue). I will give the answer to those suffering sleepless nights in the first week of January 2016. And – no Googling. Not that it will do you any good mind.

Now what is this assemblage of pipes…it is not an organ
Now what is this assemblage of pipes…it is not an organ
Categories
Elements of Lettering lettering Thoughts on lettering typographers typography

Adrian Frutiger remembered

Adrian Frutiger passed this life on 10 September 2015. Read here for an obituary.

I previously wrote about Frutiger here.

In his Signs and Symbols he writes of the value of ‘interior and intermediary space’. Adrian Frutiger and interior spaceDesigners take especial note. ‘The beauty of a sign,’ he writes, ‘is often the result of a struggle between the resistance of the material and its conquest by the instrument…By contrast, the Oriental way of thought and expression…puts the creative act more into the mastery of a gesture with which the brush lays the sign on paper’. [Studio Editions, London, 1989, p.101.)

I did not know of Frutiger’s personal life so as a mental health social worker I find he lost two daughters to suicide prompting him and his partner to establish a foundation

http://www.fondationfrutiger.ch

Categories
Elements of Lettering lettering lettering, typography, alphabets, stonework printing Typographic ephemera

Something Rampant for the weekend

Looking through my collection of typography today I came across these images, included in Portfolio Three by The Rampant Lions Press, Cambridge, England, dated 1982. I have written about Will and Sebastian Carter many times throughout the life of this blog so please hit the search key to find out more, or send me an email. Enjoy your weekend. (This was a regular feature of the blog – the last entry can be found here.)

Franklin typeface
Franklin typeface
Rampant Lions Press prospectus
Rampant Lions Press prospectus

 

Categories
lettering sculpture

Michael Snape and cut lettering into metal

In Brisbane, Australia, last weekend. Having parked the car in an underground park on the South Bank (this information strictly for those who know Brisbane – a wonderful city with a thriving arts culture – so definitely worth a visit when you are over this way [this is not a paid for advert by the way] ) I notice this sculpture. Michael Snape sculpture

I am drawn, of course, by the lettering cut into  the surface I assume by a welding torch. The piece is tucked away in this location and really does need to breathe in the open air – this would also assist with trying to read the inscription, which, as you can see, is long.

Snape sculpture A23

I made out the words printing press. Thank you Mr Snape. But no thanks to the municipal authorities or whoever for, having presumably commissioned such a piece, gave it the insult of this subterranean setting. For more on Michael Snape click Michael Snape

Categories
Brand design lettering Typographic ephemera

Be seated – record covers and typography

Hello again. It has been a while since the last post for which I offer no explanation except for life getting in the way of blogging. I thank all readers, regular and irregular, for continuing to step by on their way through the swamp that is the internet.

Recently, while at a local cafe, I came across this record sleeve (undated) among bric-a-brac for sale in a back room. I think it terrific. See how many typefaces you can identify. (Note – I have yet to play the record on my new Sherwood PM-9805 turntable.)

Typography
Typography

 

Categories
lettering percy smith sculpture stone

Memorial lettering

A tradition of fine hand-cut memorials exists in the UK. I was once a small part of that heritage, being commissioned to create bespoke headstones and other memorials for clients. Over the last week as part of a effort to simplify my ever growing lettering collection and archives I came across these images of mine, all made in England and pre-dating 2004 which was when we moved to Australia. I would often use both sides of the stone with the client providing a piece of prose or poetry appropriate to the person being memorialised which I’d carve on the reverse. These three examples show this, the first and third in green slate, the middle one in Welsh black:

Screen Shot 2015-01-04 at 6.34.44 PM Screen Shot 2015-01-04 at 6.35.11 PM Screen Shot 2015-01-04 at 6.35.26 PM

 

I also made this piece for the courtyard of a church in Essex, England. It is limestone and slate.

Screen Shot 2015-01-04 at 6.34.58 PM

Alas, there is, as far as I can discern, such a tradition in this part of the world. Maybe I should start one…

Also see this post on Percy Smith. Also see my page on sculptural items.

Categories
Brand design Elements of Lettering lettering printing typography

Ashley Havinden, Ashley Crawford and Neuland

A reader recently identified the typeface I commented upon in this post as being Ashley Crawford, and not Neuland as I had then speculated. Thank you Marvin.

The face was designed by Ashley Havinden, Ashley Havindena noted designer of that period and produced by Monotype as Series 238 and 279 (the later for the plain font). Image from Encyclopaedia of Typefaces, Ashley Havinden_0001Blandford Press, 1953 as in my copy of Specimens of the Type Faces, Borders, Ornaments, Rules and Other Material cast on ‘Monotype’ Type Composing and Casting Machines, The Monotype Corporation, n.d it is not included, although ‘single specimen sheets…may be obtained on application’.

This is another of his works for the London store Simpson, taken from Modern Publicity 1942-48, The Studio Publications.Ashley Havinden_0004

To correct the earlier misinterpretation here is Neuland used in another ad (taken from The Typography of Newspaper Advertisements, Meynell, F, 1929).

Ashley Havinden_0002Ashley Havinden_0003

Categories
alphabet lettering typographers

Barnbrook

Two images leapt out at me today while browsing typography now, the next wave (North Light Books, 1994 pbk edition). BarnbrookThe first one of machine-generated stone carving (naturally, being a stone carver); the second a font called Prototype, this because the illustration stated it was an amalgam of other typefaces including Perpetua and Bembo.

At the time I did not note the connection and it was only a few moments ago when reading Brnbrook’s entry in Typography, when who how (Konemann, 1998) that I came to realise he was behind both.

Barnbrook_0001Thanks Jonathan and merry christmas /happy new year (if you celebrate that is).

For more go to http://www.virusfonts.com

Categories
lettering

Something Joyous for the weekend

From my archive. This from the Museum of Modern Art, NY, 1992. Designed by Richard Arango, Silver Joy. [Closed size: 190mm by 125mm. Open: 415mm by 125mm.] Note – Here in Australia this week has been less than joyous.

Joy

 

Joy_0001