Categories
Thoughts on lettering typographers Typographic ephemera typography

Nonhuman Books. Really?

Check out first this short [3m] video about a project that produces ‘nonhuman books’ – books that have not been touched by any form of human interference.

Hello again. What I see is not ‘poetry’, as is a claim, but random words ‘selected’ by a non-thinking, non-sentient, algorithm. These are no more books than Father Christmas lives at the North Pole.

In the interest of fairness those readers who wish to know more can visit http://www.atomicactivity.com/books/

and, when there, purchase a copy of A Nonhuman Reading of The New Typography by Jan Tschichold.

[Perhaps I will.]

UPDATE [21/3/2020] – And I did and the book arrived yesterday. Along with a balloon, which bore a text most apposite in today’s troubled times.

Atomic_detailAtomic_front

Original and non-human
The same page from the human and non human versions of the New Typography.

Atomic balloon

 

 

Categories
Thoughts on lettering Typographic ephemera

Travelling Penguin

This is the time of year people travel. Over here in Australia distances are vast and travelling can take days not hours. Nevertheless, we all need to take clothing with us, though these days rarely a rifle. This illustration comes from a Penguin of 1939 (fourth impression) so I guess may be excused.

20_01_01_Penguin travelling
Penguin goes travelling in 1939

If you liked this post do have a look at my archive for more on Penguin and advertising. Such as this from 2012 Advertising and Penguin books.

Categories
Thoughts on lettering

Something fuzzy

An unusual use of words to say the least.

Categories
Brand design Humour lettering, typography, alphabets, stonework stone Thoughts on lettering

Corsets and Mourning

What’s the link? Well, on the side of this magnificent building in central Sydney, Australia [built 1908] are adverts for both items: corsets and mourning [costume I presume]. A wonderful incidence of unintended humour. Or was it intended? We may never know. I invite comment on the lettering style, as well as matching stories.

Corsets and Mourning
On the side of the former Mark Foy’s Emporium, Sydney, Australia.
Categories
alphabet Elements of Lettering History of Lettering lettering Thoughts on lettering

Geofroy Tory, the Apostrophe and the letter S

Simon Griffin, writing in Fucking Apostrophes, [Icon Books, London, 2016] observes that ‘Geoffroy [sic] Tory is considered one of the people responsible for introducing it [the apostrophe] to the French language in the 15th century’ (p.16).

the S
The letter S as drawn by Geofroy Troy in his Champ Fleury

A disputable claim given that Tory’s Champ Fleury wasn’t published until 1529. Nevertheless, turning to that volume, Tory himself writes: ‘…if it should happen that one has occasion to write in Attic letters such verses, wherein the S should disappear, one may write them clearly & wittingly without putting the said letter S where it might be lost, and put an apostrophe over the place where the S should be. This apostrophe, being above the line at the end of a word, signifies that some vowel or an S has been dropped because of the metrical quantity of the vowel that follows it in the next syllable or word’ (trans. George B Ives, Dover edition, 1967, p.138).

the S by Catich
Hand drawn S by Catich from The Origin of the Serif

Tory elaborates on the letter S itself, noting its Greek origin and that it makes ‘a hissingsound, of the same quality that red-hot iron makes when it is dipped in water’ (ibid, p.139). He goes on to note how a letter S (sigma in ancient Greek) represents silence ‘…for which reason the ancients often wrote it alone above the door of the place where they ate and drank with their good friends; in order to put it before their eyes that such words as they should speak at table must be spoken soberly & listened to in silence; which cannot be if there be excess in eating and drinking, which are things not meet for decency at table & for pleasant company’ (ibid, p.139).

Note: For an earlier piece on Tory go here and for more on Catich and The Origin of the Serif here

Categories
Elements of Lettering lettering Thoughts on lettering typographers typography

Adrian Frutiger remembered

Adrian Frutiger passed this life on 10 September 2015. Read here for an obituary.

I previously wrote about Frutiger here.

In his Signs and Symbols he writes of the value of ‘interior and intermediary space’. Adrian Frutiger and interior spaceDesigners take especial note. ‘The beauty of a sign,’ he writes, ‘is often the result of a struggle between the resistance of the material and its conquest by the instrument…By contrast, the Oriental way of thought and expression…puts the creative act more into the mastery of a gesture with which the brush lays the sign on paper’. [Studio Editions, London, 1989, p.101.)

I did not know of Frutiger’s personal life so as a mental health social worker I find he lost two daughters to suicide prompting him and his partner to establish a foundation

http://www.fondationfrutiger.ch

Categories
sculpture

Workshop in Australia – updated with testimonial

A wonderful day was experienced last week. Here is one comment:

‘What a wonderful, creative and inspiring day we had at the one day Inner Workshop run by John Pitt out at Mossgrove B&B – a perfect setting for such an occasion.
I would highly recommend this day for anyone interested in learning about sculpture and creative arts…the hands-on approach was great and John bought with him a wealth of talent and knowledge that he loved to share with all of us. I can’t wait for the next one.’

5 October 2015

§

For those who live in Australia, and more specifically Northern NSW, please note I will be running a one-day workshop The Inner Artist on 1 October 2015.

Limestone and slate sculpture by John Pitt
Limestone and slate sculpture by John Pitt

This workshop – being held at Dorrigo, home of the wonderful Don Dorrigo Gazette, the last newspaper still printed letterpress in Australia, (see here for post about the press) – is not about lettering (though no doubt that will crop up in conversation) but about connecting with your creative self.

I will start with some exercises to loosen your inner self, before moving on to introductory 3D work. The afternoon session will be devoted to carving a piece in soft stone.

If you’d like more information write to me through this page or email johnpitt01@gmail.com. The cost is $120.

The workshop is being held at the delightful and peaceful gardens of Mossgrove B&B in North Dorrigo. Morning and afternoon tea provided – BYO lunch for a tranquil picnic in the lovely gardens of Mossgrove.

Categories
Elements of Lettering lettering lettering, typography, alphabets, stonework printing Typographic ephemera

Something Rampant for the weekend

Looking through my collection of typography today I came across these images, included in Portfolio Three by The Rampant Lions Press, Cambridge, England, dated 1982. I have written about Will and Sebastian Carter many times throughout the life of this blog so please hit the search key to find out more, or send me an email. Enjoy your weekend. (This was a regular feature of the blog – the last entry can be found here.)

Franklin typeface
Franklin typeface
Rampant Lions Press prospectus
Rampant Lions Press prospectus

 

Categories
Elements of Lettering Typographic ephemera

One week in street lettering

Images from my week. These were taken in Brisbane, Australia. The first at a train station – a nice display of cast letters (heavily covered in paint – be great to see that taken away and the true letters revealed once more) representing Queensland Rail and used as a brace for a seat; the second a metal plate in the road covering services – lovely use of the cross bar in the capital A as a functional element for inserting the rod that will remove the cover for inspection; the third some quirky figures (‘biffo man’) at pedestrian crossing. Great to see such inventiveness.

Metal cast letters in cross frame of a seat.
Metal cast letters in cross frame of a seat.

Metal services covering plate spelling GAS

 

Biffo man/men
Biffo man/men
Categories
lettering sculpture

Michael Snape and cut lettering into metal

In Brisbane, Australia, last weekend. Having parked the car in an underground park on the South Bank (this information strictly for those who know Brisbane – a wonderful city with a thriving arts culture – so definitely worth a visit when you are over this way [this is not a paid for advert by the way] ) I notice this sculpture. Michael Snape sculpture

I am drawn, of course, by the lettering cut into  the surface I assume by a welding torch. The piece is tucked away in this location and really does need to breathe in the open air – this would also assist with trying to read the inscription, which, as you can see, is long.

Snape sculpture A23

I made out the words printing press. Thank you Mr Snape. But no thanks to the municipal authorities or whoever for, having presumably commissioned such a piece, gave it the insult of this subterranean setting. For more on Michael Snape click Michael Snape