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Typographic ephemera

Ephemeral – at the year’s end

This was made by a dear friend of mine, now passed. It was printed in 1998. Perhaps there could be a revival in 2011?

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calligraphy lettering lettering, typography, alphabets, stonework Typographic ephemera

Typography and the postage stamp

I do not collect postage stamps but for some reason or other (no doubt because of the lettering) I kept this one from a visit to France in the early 1990s. I came across it in my very infrequent Journal, in which I write now and again about stuff that interests me.

Anyhow, it might spark some interest somewhere, and lead to new discoveries. I am sure there are plenty.

 

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Thoughts on lettering Typographic ephemera

Typography and the paper bag

My wife returned home from a trip to New York at the weekend. She brought me a present (well, actually I asked her if she could get me them) – a dozen pencils, 2H to 9H, plus Stabilio Aquarellable, ideal for drawing/sketching on slate.

If the pencils were not a gift enough the packaging they came in was a wonderful bonus. A brown paper bag from the art supplier. It’s a great big thumping sans which I can’t quite place – it’s not one of the usuals, Helvetica (because of the C), Univers (the K), Gill (the B,C,K). Any ideas? It’s in a grotesque/gothic style

Anyhow, the present (bag) made me realise that these throw-away items (true ephemera) were once everywhere but have since been replaced, for the most part, with plastic. Being throw-away most don’t think of them as collectible, though I am sure there are many out there who have drawers full of them.

For my part, I began a small collection of printed ephemera in 1987, and here are few paper bag pieces I retain. I wish I had more!

This one I particularly like as it was from a clothing store in the town in the UK I then lived – Sutton, south of London, where this shop shared my name. Got to love the H and the cheeky S – and the brilliant full length use of the J. What type is it? Don’t know again (revealing my ignorance big time today!)

Then of course there was the ‘greatest bookshop in the world’ – Foyles, which I used to visit often as a teenager and young man. It had a reasonable second-hand selection, while the general stacks occasionally offered up gems that had been left unsold for generations: this was the pre-computer stocktaking period.

Various combinations of both sans and serif in use here – including good old Cooper Black, very typical of the 1960s.

Next a little bag from a tobacconist, probably printed by a small jobbing printer. (I used to smoke in those days, a pipe, and this shop held a great variety of loose tobaccos: this bag, though, was probably for purchase of a pipe as it is long and slender.) Use of Gill Sans, which all jobbing printers would have had in stock, possibly hand-set too.

And to round things off a gem from a sandwich bar in central London. I probably bought a sandwich there in the late-1980s but the bag was likely to be unchanged from the 1950s or earlier.

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Typographic ephemera

Typographic ephemera- 1

Cover of Monoype Recorder of 1933, set in Gill sans.

(Please clip on image to enlarge.)

note – all items shown are from my collection of printed material.