Categories
Brand design lettering Typographic ephemera

Be seated – record covers and typography

Hello again. It has been a while since the last post for which I offer no explanation except for life getting in the way of blogging. I thank all readers, regular and irregular, for continuing to step by on their way through the swamp that is the internet.

Recently, while at a local cafe, I came across this record sleeve (undated) among bric-a-brac for sale in a back room. I think it terrific. See how many typefaces you can identify. (Note – I have yet to play the record on my new Sherwood PM-9805 turntable.)

Typography
Typography

 

Categories
lettering

All About Lettering turns 4

Thank you to all subscribers/followers over these 4 years. I will post some of my personal favourite posts in the next few days. Keep watching…[image – using discovered Rowney lion printing water colour tube, left second finger, drawn on concrete floor – actual size 170mm by 110mm. (PS – actual drawing for sale including house. Plus plenty of  books etc on lettering and calligraphic arts. Apply.)

Turning 4
Turning 4
Categories
lettering, typography, alphabets, stonework Thoughts on lettering typography

Robert Harling: a note

This post begins with the discovery of a copy of Image: 5  from a secondhand bookseller in Sydney, Australia last month. Robert HarlingThe issue was devoted to English wood engraving and contains many fine examples of the craft. But I Robert Harling_0001am less interested in that than in the man who edited the journal (and before that Alphabet & Image) – Robert Harling (1910 – 2008). Obituaries at the time of his passing make note of his relationship with Ian Fleming, both men sharing a passion for life and literature: Fleming secured, if that’s the right word, a job for Harling in the second world war, later using him as a character in one of his novels (The Spy Who Loved Me). Harling also turned his hand to fiction publishing several novels based on what was then Fleet Street, the centre of the newspaper industry in the UK. Later he worked with the renowned Sunday Times editor Harold Evans.

But it’s Harling as a typographer that I wish to write. He knew Eric Gill, visiting him at Pigotts (see here for a blog on that place) and commissioning articles for the precursor to Alphabet & Image, Typography. Robert Harling_0003Hence, he was a perfect fit to write that wonderful book The Letter Forms And Type Designs Of Eric Gill, published in 1976, an expanded version of pieces published first in Alphabet & Image. 

Not that Harling was an uncritical devotee. In an article printed in The Penrose Annual XXXIX (1937) he writes of Gill’s Kayo: ‘Kayo is a dismal type. In the hands of a skilful typographer it could probably be made to do a good-hearted, gargantuan job very well. In the hands of jobbing printers scattered throughout England it will be just plain MURDER. The type was originally named Double Elefans, which had a very pleasant touch of the lampoon about it. The new name, Kayo, is too horribly truthful. It will be popular from John o’Groat’s to Land’s End, but it will be a return to the popularity of the types of Thorne and Thorowgood in that grim mid-nineteenth century. Typographical historians of 2000 AD (which isn’t, after all, so very far away) will find this odd outburst in Mr Gill’s career, and will spend much time in attempting to track down this sad psychological state of his during 1936.’

Harling also designed three typefaces: Playbill, Chisel and Tea Chest Robert Harling_0004while his passion for architecture and design led him to edit  House & Garden from 1957 to 1993. A remarkable man. rsa-harling

 

 

Categories
Typographic ephemera

New Year’s Quiz 2013 – number two

What are these? (Clue: Taken from a magazine published in 1953.)

Quiz two 2013 A

 

Answer below

Quiz two 2013

Categories
Typographic ephemera

New Year’s Quiz 2013 – number one

Simple this. Just deduce what letters are missing from the image. (Taken from an advertisement placed by Grosvenor, Chater & Company Ltd in Book Design and Production, vol 5, number 3, 1962.)

new year quiz 2013

Answer below

new year quiz 2013

Categories
calligraphy lettering printing typography

Mardersteig and Felicano: a Christmas gift

The beauty of this illustration (taken from the privately-printed Two Titans by Hans Schmoller) requires few words. The original is hand-coloured and comes from Mardersteig’s Alphabetum Romanum published in 1960, some 500 years after the death of the Italian writing master.

Mardersteig and Feliciano

[Two Titans was published by The Typophiles, NY, 1990 and printed by Martino Mardersteig in Verona.)

Categories
Brand design

The demise of Holden in Australia – a (sort of) typographic memory

This week in Australia Holden (aka General Motors, aka Vauxhall, aka Opal, aka Chrysler) chrysler advertannounced that it would cease production of vehicles in a couple of years.

This brings me to the advert here, reproduced in The Typography of Newspaper Advertisements by Francis Meynell (Benn, 1929). The display type is a variant (I am guessing here so help me out) of Neuland. (See this post December 2014 for clarification and comment below.)

Holden’s going – Chrysler is still around somewhere with its ‘long, low lines – and spacious comfort. Flashing speed – seventy miles an hour and more.’

Have a relaxing weekend.

Categories
Brand design lettering printing typography

Penguin-Pelican Specials: separated by 75 years

Penguin is having a senior moment. It is casting back for inspiration and relaunching the ‘Specials’ – books that are produced quickly and on ‘hot’ topics. They use the same colours as in the past, and nod to the design standards set down three-quarters of a century ago. Pity they don’t quite bring it off. Compare and contrast a volume from 1938 (from my collection, by a celebrated printer and engraver) with that of 2013. The title page of the former is a masterpiece with the swimming penguins slowly morphing into a flying fish.

Penguin Specials compared_0001Penguin Specials compared

Penguin Specials compared_0003Penguin Specials compared_0010

Penguin Specials compared_0004Penguin Specials compared_0005Penguin Specials compared_0007Penguin Specials compared_0006Penguin Specials compared_0002Penguin Specials compared_0008

Categories
lettering lettering, typography, alphabets, stonework Thoughts on lettering Typographic ephemera typography

Happy Third

Birthday’s should not go unnoticed, even if it is a blog. After all, behind the blog is a person.gold 3 The actual third anniversary of All About Lettering was on November 2 and, no, there was no celebration. (2nd anniversary blog here.)3 stones

This blog will make 355. I had intended when I began (full of enthusiasm and unaware of the amount of time  it takes to write a post, do the research etc) that I would have published 365 in the first year alone, that’s one a day. That hurdle – if it be one – still remains to be crossed, though it draws ever nearer.

The past year has been one of activity outside of typography (I have been completing a postgraduate course) and the frequency of posts dropped away. Indeed in the first months of the year there were none recorded, and yet I noticed that people were still dropping round to take a look.

Thank you, and to those who have been following since the beginning, a very warm thank you for sticking by. I still have a few things to say and illustrate about the marvellous world of print, typography, lettering and design. So don’t go away just yet. When it comes to numerals there isn’t a lot of good stuff around, but on a walk around my neighbourhood I spotted the stones shown here as a reminder that nature does best (though in truth these stones, forming a wall, were placed by human activity). The other  illustration is a quick calligraphic doodle of mine.

Categories
Humour Typographic ephemera

Just for fun – Luna Park, Sydney

Some fun typography from a recent visit to Luna Park in Sydney, Australia. The parks, by the way, were created by the American Frederick Ingersoll, and are a forerunner of today’s amusement parks and Disney.

Luna park sydney