Can’t have too much. These black and white illustrations from a book on London I picked up from a secondhand shop over Christmas.
This blog would not have been written (at least not yet) had I not had cause to pull a Ward Lock & Co guide to London from my bookshelf. It is the 42nd edition and while undated must be around the early 1920s.
While looking for a reference (to Rodin’s The Burghers of Calais sculpture in Victoria Gardens), I came across a London Underground map tipped in. In the bottom left corner is the name MacDonald Gill (look closely at the image lower down – the lettering is all by hand). What, I thought, who is this, having forgotten all I once knew on the Gill clan.
MacDonald (also Max) was himself a letterer, craftsman and rather ‘ordinary’. This from Fiona MacCarthy’s biography (Faber and Faber, 1989, but quoting from the paperback edition of 1990, p255): ‘He too had a reputation as a letterer, had been a member of the War Graves Commission Committee and designed a standard headstone for the British Army dead of the First World War. He had specialised in decorative graphics…Compared with Eric he operated on the artistic middle ground. He was the sort of artist his father understood. Moreover, he was married (though not happily) to the daughter of a canon, whom he left eventually for the daughter of Edward Johnston. Eric’s father made it clear, from early days, that he would like it if Eric could be more ordinary, more like Max’.
And so a man’s life is written.
This picture of him is taken from that same book, dated 1930. (The extract is also the only decent mention of the man, and I have found nothing else in my collection of Gill, so far – I’d be pleased to hear from readers if they know more about Max.)
Separately, it is clear how revolutionary Pick’s map was when it was published in 1931.
PS – thanks to Michael Barker for alerting me to the fact Max was a younger brother of Eric – born 6 Oct 1884, to EG’s 22 Feb 1882. The index in McCarthy’s 1990 pbk edition is in error, but I should have taken more care.
Henry Beck and the London Underground map. Enough said. Yesterday I was writing about Studio Vista books, and after writing that post I pulled out another of their issue, Graphics Handbook by Ken Garland, published in 1966. It’s a long time since I had looked inside so I was pleased to find this photo of Beck opposite the title page. It’s undated but from the look of Beck was probably taken towards the end of his life (he died in 1974 – not really that long ago: I was already in my late teens). I wonder what he is thinking. He doesn’t look that pleased to be photographed – probably happier doing a spot of gardening or weeding (an assumption – I know nothing of the man) rather than being asked to pose. Yet as the caption states “we are all in debt for this pioneering (and much emulated) work in the field of graphic design”. [Note – the photo I find from a quick search on Google is 1965 and copyright Garland.]